First, is a basic gentleman’s
suit from the 1940s. This gentleman is sporting
a navy blue pinstripe three-button, three-piece suit. All of these styles were
popular in the 1930s and ‘40s. The jacket has peak
lapels, which were the preferred option in the era. The man is also
sporting a fedora, the iconic men’s hat from the first half
of the 20th Century. He is wearing a wide
tie, as was the style in the 1940s to match his
jacket’s lapels. For shoes he is
wearing rather conservative black oxfords.
He is also wearing a
pair of grey dress gloves, which although were
no longer as popular for gentlemen as
for ladies by the 1940s, remained worn
especially by older men and in colder weather.
Next is a
fashionable lady from the decade. She is wearing a
blue sheath dress, which in the 1940s was worn as every
day wear. Like any modern
lady, she is carrying a matching clutch bag to carry her
portable make up kit. She is wearing a fur
pillbox hat with a peacock feather, one of many ladies’
hats styles in in the 1940s. For shoes she is
wearing a pair of peep-toe pumps, which were iconic
footwear of the 1940s. For a final touch of
class, she wears a pair of white gloves, which like the hats,
were quintessential to 1940s ladies’ fashion.
Next is another
gentleman wearing a different suit style. This suit includes a
double breasted jacket, which was a popular alternative to the three
piece suit in the 1940s. Like the previous
gentleman, he wears a pinstripe and peak lapel style suit. Unlike the previous
gentleman his footwear is trendier. He wears a pair of
fashionable spectator or swing shoes, which were
popularized by both gangster movies and jazz musicians.
Finally, another
chic lady from the era. This lady is
wearing a peplum jacket suit, which were enormously popular at the time. In the 1940s, suits were worn as everyday attire, but during World War II, rationing made it difficult
to acquire clothing. Under these circumstances, many practical ladies opted
to wear suits instead of gowns to formal occasions such as weddings and evening parties. Like the previous stylish lady, she wears a hat and
gloves and carries a clutch bag. Her hat is a cartwheel with a medium brim, which was remains a timeless classic style. Finally, like the previous lady she also wears a pair
of chic peep-toe pumps.
Now, back to the preceding century:
First is a gentleman wearing the apex of men’s formal
attire: the white tie and
tails. This style first became popular in the Victorian era
and to this day remains
the top option for men’s formal attire. It consists of a black tailcoat, matching
trousers,
white bow tie, white waistcoat, and for a final touch of class: a pair of
white
gloves. He also wears a pair of recently-popularized oxford shoes.
Next is an elegant lady of the era. She wears an off-the-shoulder bustle gown,
which was the norm in the 1870s and ‘80s. She completes her gown with a
pair of above-the-elbow
white gloves, which were popular during the regency
and became
popular again by the 1880s. She also carries a feather fan with her.
Women carried fans to balls for two reasons: first, to cool themselves, as some
of the dances could
be quite tiresome. Second, to conceal gossip.
Next is another elegant lady, from the era. She wears a similar style ball gown,
also complete with white opera gloves.
Finally is another gentleman from the era. His outfit is not much different than
the previous gentleman. The only differences are the waistcoat and shoes. He
wears a black waistcoat, instead of a white one. In the late 19th Century, black
tie attire
first became popular. According to English folklore, it was popularized
by the Prince of Wales and future King Edward VII, who wore a black tie instead
of a white one to dinner
one night. Although black tie attire would become the
mainstream for men’s formal dress by the following century, the white tie and tails
remained a popular option until then. For shoes, he is wearing a pair of traditional
pumps
or men’s court shoes. These fell out of style by the following century.
Since those who viewed my sketchbook liked the lady in the magenta ball gown
so much, I decided to give her a scene of her own.
So I drew Waltz
at the Corinthia:
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